I have always been disappointed that Protti's art. He a perfect impersonator of Iago. Iago's manipulations are so easily projected as he effortlessly shifts his vocal color, weight, and shade in order to project this malevolent persona. It is an utterly complete portrait.
@@EmilyGloeggler7984It was not the performance of the century, granted, but 'camp' is too strong a perjorative for a bit of hollow gesturing. And the voice achieved pathos at one point, at least.
Grande voce, ma non si canta Rigoletto come un'opera verista e la melodia scritta va rispettata anche nei momenti drammatici come nella prima parte del "cortigiani"
![THIS is Callas's greatest baritone partner. Ettore Bastianini sings Di Provenza [La traviata] - 1955](http://i.ytimg.com/vi/6oWXvLBzL-c/mqdefault.jpg)
![THIS is Callas's greatest baritone partner. Ettore Bastianini sings Di Provenza [La traviata] - 1955](/img/tr.png)
Un vero baritono Italiano.
Voce calda, squillante e teatrale.
Ottima tecnica.
A me è sempre piaciuto.
Grande Aldo.
Идеальный Риголетто..
Very underrated during his career. Today he would be leading baritone anywhere
... consapevolezza artistica, tecnica, arte, e anima.... oggi introvabili.......
Grande Aldo Protti!
The best Rigoletto ever made! The whole performance is perfect!
habe a.protti leider nur einmal in wien gehört- 70 ger jahre
My god what a voice!
Se la he visto en directo en Zaragoza, con Bernabé Martí y María Fleta: IMPRESIONANTE!!!
Grandissimo
Commovente.
I have always been disappointed that Protti's art. He a perfect impersonator of Iago. Iago's manipulations are so easily projected as he effortlessly shifts his vocal color, weight, and shade in order to project this malevolent persona. It is an utterly complete portrait.
Correction: I'm disappointed that many Don't appreciate Protti's art.
Because they have heard better than this overacted camp performance. True opera is not meant to be a camp fest, even from far at the back of a forum.
@@EmilyGloeggler7984It was not the performance of the century, granted, but 'camp' is too strong a perjorative for a bit of hollow gesturing. And the voice achieved pathos at one point, at least.
Grande voce, ma non si canta Rigoletto come un'opera verista e la melodia scritta va rispettata anche nei momenti drammatici come nella prima parte del "cortigiani"